If they show up, that means you’ve overloaded the system.īut how do you make the playback loud? On your master channel place a device called a Limiter and use that to turn up your levels. Watch for those little red squares at the top of your channels. By doing this, you leave yourself room to turn things up or down. Solution: Turn your sample level down right at the beginning and turn your monitoring level up if you want that thump while you’re producing. If you end up in the red it won’t be a problem inside FL but could be pretty gnarly once printed. However, once you export to a fixed bit depth like 16 or 24, or convert your export at 32 to an mp3, any overs suddenly become clips.

This means that within the program your sounds won’t clip. That means when we program this sample into FL Studio, there is no more room to turn it up without distorting!ĭeceptively, FL Studio’s internal channels use 32 bit depth which is a scalar amplitude system. Drum sample producers want their drums to appear as loud as possible, so they maximize the level of the sample.

Why? Because most of our drum samples are starting out normalized to maximum volume. Unfortunately, it’s very easy to do this. While we get the signal louder by turning it up, up, and up, we also lose punch and create a tonal quality that is usually worse than what we started with. What does overloading mean? In the digital world we have a level ceiling, and once a sound exceeds that volume level it distorts. The most common mistake I see is people overloading either their individual channels, or their master channel. However, there is a good way to do this, and a not-so-good way to do this. Let’s be honest, we all want our productions to be more thumpy, and a big part of that is making the playback level loud and proud. Help end DAW/FL Studio Bias today! Mistake 1: Clipping Your Master Channel I mix a lot of records that were produced in FL Studio and there’s a few stand out mistakes I think need to be addressed. This leads to a lot of mistakes that are simple to fix, but often go unchecked. DAWs are complex and reading manuals is boring. However, behind many biases are a grain of truth. It’s a great tool in all forms of electronic production, including Music For Film, Experimental Rock, and of course Hip-Hop, EDM and Electronica. Countless smash hit records have been made in FL Studio. This is marked by the belief that only amateurs and people without talent use FL Studio, and is usually accompanied by being a low-key hater of Hip-Hop and EDM. The most common and one of the most damaging forms of DAW Bias is FL Studio Bias. Notable signs of someone with DAW Bias are: blaming the DAW for the music made in that DAW, making sweeping statements about the capabilities of a DAW (without spending time to actually learn it), and randomly cursing people out on the internet for not using their DAW of choice. Digital Audio Workstation Bias (DAW Bias for short) is real, and it’s a problem.

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